![]() The movie never stops appearing as DVD reissues (four times so far), in rap songs, as a computer game, and now, again, at the cinema. No one does lines of cocaine (a loathsome drug for a loathsome era), they do piles of cocaine chainsaws are brandished, not switchblades the vague, censor-baiting hints at Borgia-syle incest in the original morph here into Mary Elizabeth Mastrantonio screaming at her brother, "Ya wanna fuck me, huh, Tony? Huh?"īut Tony is a fully-fledged 1980s-style unzipped capitalist go-getter, worthy of admiration given the Friedman-fundamentalist economic fumes wafting through the zeitgeist back then he's a Horatio Alger hero with a hole through his septum, he's Arkan in the making.Īnd he must be doing something right. Scarface is a movie with all its dials twisted up to 11. And Al Pacino, whose Tony Montana haunts his oeuvre in the same way that Jack Torrance in The Shining does Jack Nicholson's: these were the hinge-moments when both came perilously close to undermining any notions of seriousness we may hitherto have entertained about their talents. There's De Palma himself at the helm (his achievements there would net him a Razzie nomination), while behind the typewriter lurked Oliver Stone, whose scripts have always emitted the chemical reek of amphetamine (Scarface's doppelganger movie is Wall Street). The remake is a perfect storm of over-the-top contributors all united on the same numbing, deafening movie. The Howard Hawks original is a spitting, howling rollercoaster ride, anchored by a joyfully unhinged Paul Muni. Free Shipping On Orders 50+ 5 PacSun Rewards Instantly Refer a Friend Give/Get 15. In Blow Out, De Palma branched out, this time stealing more venturesomely from Coppola's The Conversation and Antonioni's Blow-Up, larding both with his patented brand of visual ugliness, bullshit "homage", and screechy, millimetre-deep performances. Shop Scarface Say Hello To My Little Friend T-Shirt at PacSun. Obsession was Vertigo crudely retro-engineered Dressed To Kill had two shower scenes and a tranny psycho-killer. To say Brian de Palma was born for that kind of culture is an understatement he had already plundered other people's work mercilessly, particularly Hitchcock's. The 1980s was, among other things, the decade in which Hollywood began the serious work of strip-mining its own history, emptying the archives and remaking everything old and good with that special reverse-Midas touch that turns gold into shit. It's as irreducibly 80s as Reagan's black plastic hairdo, Madonna's bustier and the Jane Fonda Workout. I think the IRS is getting wise, but is too afraid to indict.It's not the best film of the decade (that might be Raging Bull) or the most influential (except among gangsta rappers), or the most elegantly crafted (good god, no), but somehow Scarface manages, both intentionally and utterly accidentally, to capture the 1980s' atmosphere of unflagging greed, moral emptiness and materialistic crassness to a tee. All I know is that there are a lot of Kazakh 6-year-olds collecting salaries and benefits from the major au pair networks. ![]() My agents are still working on the particulars of this racket. The petits anges and Nyet Moloko have this one.Ĥ. It seems as if the foxes own the clowns and rent them out for birthday parties. Your basic human trafficking kind of thing. The pequeños hermanos are making inroads.ģ. Mainly the Zambians and Starry Brot run this one. 106 107 Later in his career, Hall claimed he pitched the idea of a Scarface -like character during a meeting with Vince McMahon and Pat Patterson, as a joke. The foxes come to their fiduciary rescue, and as long as the doctors get them the vig on time with no shots, everybody’s happy. Ramon's nickname (The Bad Guy) and catchphrase ('Say hello to The Bad Guy') derive from Montana's quotes: 'Say hello to my little friend' and 'Say goodnight to the bad guy'. Squeezed by the health insurance rackets and the bleating economy, downwardly-mobile pedes need cash bad. It’s mainly the mothers’ girls and god’s mercy that own this racket.Ģ. Dogs (parents) better go through the proper channels and pay the foxes (the mafiosini) the fee, or enter a world of hurt. Any parent who wants to hire a nanny has to go through one of the five families.
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